four trax taken from helixs greatest hits vol 2 lp. classic house, disco and atl rap motifs reimagined as rough-and-ready nu skool club trax.

hier ist der name programm! eine limitierte 2fach vinyl mit den 12 besten tracks der dream dance-ausgaben vol. 9-12

for his fifth release traumer continues to explore different sounds and atmosphere on his own imprint. 3 club ready tracks with a pinch of subtle atmosphere or craziness, depends on which side you choose !

part 3 of the soul of the automaton series. this is soulful techno, electro with subtle ambient elements and idm echoes, touching the more experimental side of music here and there. bunnik has not completely severed his links with the past but he is unafraid of the future. this is again emotive, futuristic, concise, dissonant utopian glitch music that s equally as good for the club as it is for the soul. constructed on the west coast of holland in the harbour city of rotterdam.

3 hard, loopy. rolling techno-ish club movers taken from helix s greatest hits vol 3. a-side -the lyot remix comes with a show-stopping triplets rhythm and guitar riff over 7+ minutes of jack track. b-sides go grime-tech and funky club respectively, all unmistakably helix.

arkityp, the imprint solely dedicated to archie hamilton and rossko s collaborations, returns in 2018 with its sophomore release - 3 for a tenner ep, landing in all good record stores march 19. born out of marathon sessions in hamilton s london based studios, the duo would road-test the outcomes of these endeavours, letting the dancefloors adjudicate the ep s final tracklist, one that elaborates further on the theme of aktp001 - growing up clubbing in the uk s capital. delving deep into the cross-pollinations between minimal, dub techno and tech house, this three tracker celebrates the attitude and energy within england s club culture, a culture that has profoundly impacted the perspective of both label bosses and their production style.

keeping up a high rate and high quality of release, dan mela and dodi palese s what ever not label serves up a second ep of 2018, this time from the esteemed simone gatto with a special remix from voiski. italian gatto is now based in lecce, south italy, where he co-runs his out-er label, which since 2010 has become synonymous with house and techno that challenges the norm. his own productions find new life in the underground, roaming between labels like night vision, raw waxes and his own pregnant void. most recently he served up a two-part album, heaven inside your frequencies , which combined dark ambient, techno and abstract sound with his professional work as a researcher and came with a book that offered a theoretical and practical analysis of the use of sounds and frequencies. this new ep is another arresting affair that lays out gatto s unique and varied vision for club music across three very different tracks. it opens with no regrets , which pairs blissful ambient synths that lift you up into the skies with busy, bristling hi hats and gnarly bass. thumping drums drive the whole thing along, and the interplay between coarseness and serenity is truly original. frenchman, dekmantel and sheik n beik records man vioski then brings all his scintillating techno skills to the table for a remix. it journeys deep into a cosmic night sky, with sheet metal percussion peeling off the groove as an uplifting synth brings a subtle sense of euphoria to the mix.

animals dancing continues its quest for world domination with a double a side of russian intelligence from moscows leonid lipelis. as the title would suggest, these two sides come from lipelis private arsenal of club tracks, beefd up and shared with the people after some friendly persuasion. i.o.d.t.f.m.b.n.i.f.e.

ilija rudman returns to iib with a new track motions feat the vocasl of andre espeut. a chuggy balearic house groover set to get us believing summer is just round the corner. the legend that is don carlos also returns to iib to deliver two stunning remixes. the full on club vocal remix and the sublime deeper take on the ambient mix.

feat. the og mix & cajmere, johnny fiasco remixes
-introducing basic vision, a new imprint releasing a vinyl series of rare classics from the legendary back to basics club. selected and compiled by the man who played the first ever record at the club, original resident dj ralph lawson, on this release joined by long term resident tristan da cunha on selection duties. all the tracks are cut to vinyl from the original master recordings and given enough time on high quality vinyl to ensure clean, loud pressings with original artwork by the godfather of punk design - jamie reid. the artwork spans across 4 records, which collected together will make the compete picture. basic vision 003 heavily features the birthplace of house, chicago, with a selection of rare cuts that always move the dance-floor. the highly sought after og freak mix of cassio ware - i wanna see you dance rocks the spot on the a side. this is the original black house version and not the remixes or re-edits that can be found. mark grant and cajmere only made one record together as the chicago connection and it was a true bomb. mint copies go for l75 but cajmere s remix is included here and cut loud from the original master recording.

alicia myers is in peak form on a new release from most excellent unlimited and ace beat, right here right now (hallelujah anyway). originally issued by ace beat in 2015, this collaboration between the new jersey house label whose early 90s releases are still considered gospel house masterpieces and meu marks the first time the track will see vinyl release. making its debut are danny krivit s edit of the original derrick ricky nelson mix and an exciting remix from ricky, the song s composer, and danny, who championed the song from its first appearance and has featured it ever since in his sets. the connection between alicia myers and danny krivit goes back much farther than most people know. in fact, her breakout 1981 single i want to thank you,among the most beloved dance music classics of all time, was initially broken by danny when he played the promo at the paradise garage, catching larry levan s ear. when influential radio dj frankie crocker subsequently heard it featured in levan s sets, he immediately programmed it on wbls, new york s premier black fm station, and the song s legacy was assured. much like i want to thank you, right here right now perfectly blends an inspiring, gospel lyric with an impassioned, soulful vocal performance and club-ready instrumental backing featuring a muscular piano hook. the uplifting sentiment has already proven its power to elevate and unite dance floors in the communal expressions of joy that are central to the most soulful dance experiences and the time is right to spread the feeling! this exclusive release will be showcased on twelve-inch vinyl with a precise replication of the classic 90s ace beat label.

in this oversharing era, uncommon is for an artist to choose to remain in total anonymity. even for the easytiiger teamwork, the real persona behind the model nice act is still a complete mistery – actually not a problem when the sound speaks for itself. the debut ep -nice to meet you- arrives with four raw dance burner gems, including a futuristic arp killer remix from the lemon-fanta guy, pépe, for the song -cravo amargo-. besides the rough-shaped aspect of the sound, this ep reveals a very sharp and sophisticated production, with complex element layer works that could perfectly fit as the soundtrack for a blade runner microcosm built inside of a night club. -nice to meet you- invites you to this journey through a particular soothing world, surrounded by a complex & confessional mood without saying... well, a single word.

hard work is the first release on industria, robi insinna s brand new project label.

back in 2001 robi insinna founded the seminal relish label in direct response to a then- dominant sound in club music. its catalogue is as vast as it is varied and foreshadowing the music he d go on to make himself under headman/manhead. fast forward to 2018 and after more than a decade he s on the move again launching new project label, industria with not quite an album, not quite an ep, hard work. robi felt there was no reason to split projects the way he did with his aliases and as such the debut will be released under robi s own name.
industria will be focused more on vinyl releases, but not solely vinyl. the project will encompass all area s of robi s work and ties together elements of his art and visual design projects.
limited to 150 numbered copies.

she s gone is the very awaited debut of london trio s.a.d. as bandcamp inmediately noticed and announced as one of the top 5 -new and notable- worldwide release of the week, their music is -dark post-punk with irresistible melodies, big synths washes, and punchy rhythms, designed for the modern goth club dancefloor-. it arrives on 12&#8243,,, maxi-single ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghemand remastered for long cut vinyl by eric van wonterghem.

second transmission from distant worlds comes courtesy of derek carr (for those that knoe, where we met, why so series). his music has been turning heads since the turn of the millenium but only in the last few years has he been getting the recognition he deserves. his productions have a timeless, celestial quality and reward multiple listens, there is always a hint of subtle beauty about his work and this is no exception. scisor and wraith are built for the club whilst fading fast and sunrise in system will work equally well in a club or for home listening. more than a nod to detroit in these productions but all unmistakeably carr productions.

sascha borchardt (a.k.a monoloc) will start a label, unterland, with a new ep.
the label will serve as a vehicle through which the german producer takes a step away from the club environment by presenting new sonic interpretations, including experimental, minimalist, and atmospheric. material will come from monoloc himself and friends, and the focus will be on “dramatic” sounds with drone and noise influences. think movie soundtracks and film music, albeit with both feet planted in the electronic genre. each release will aim to “tell a story” through 8 to 10 productions.
unterland will launch in end of march 2018 with a collaborative ep by monoloc and beauty of inconsequenz, a unsearchable and unidentified project with no previous recording history. the eight tracks are all based heavily on field recordings, the sound is dark and deeply atmospheric with dubstep influences. while distanced somewhat from the 4/4 format, the tracks are cerebral and hypnotic.
from there on, there will be 3-4 releases per year, each of which will be accompanied by high quality artwork as curated by borchardt, who will work closely with selected photographers and artists to provide imagery that aesthetically compliments the music.

the second intergraded is a four tracker from hi & saberhaegen, the brainchild of two producer/djs from scotland and ireland respectively. they first met midland at a gig at sneaky petes in edinburgh where they booked him to play at the club (where they also hold a residency). having previously played their music on anthony naples proibito and huntleys and palmers he was keen to hear what else they had been working on. what followed was selection of tracks that ended up being distilled down to the light on leaves ep. without relying on superlatives and detailed track by track descriptions, its an amazing record that reveals itself with every listen and one we are really proud to have on the label.

salespack inlcuding:
- happy001: unknown artist - happy skank / lucky dub
- plasma008: sabre / alix perez - yoga
- subway019: matt-u - straightened up

gila steps out of the shadows with a huge release. two massive,cold metallic techno drillers from the trench, with acidic nuances and big room bravado attached. 106 slipper is the a-side, a weighty, slow tempo,morphing banger. driven by punishing percussion,this is a polyrhythmic take on techno from the trenches. receiving love from mary anne hobbs, optimo & hudson mohawke. trench cadence, the b-side, is a drum line procession sent through a meat grinder, picking up erratic idm aesthetics, and a villalobos who gives a fuck mentality. hard and built for the club.

the second release in no bad days’ sister imprint no bad edits comes from montréal upstart unknown mobile, who first caught our ear with a lovely debut on asl singles club. here, he looks to the 1980s for inspiration, channeling that decade’s confidence and colour with three shimmering reworks. the a-side’s “dream state” matches its namesake, evoking a busy fourth world market scene, with pipes, bells and flutes chiming away in happy harmony.
on the flip, “programmer” is a slab of excitable and effects-slathered fusion funk, as if a computer has sprung to life and begun to dance. the 12” wraps with “valerian slip”, where unknown mobile folds the strands of silk from a free-form windham hill deep cut into a new shape, every bit as smooth as the original but with a nagging groove to underpin it.

>do milk< reminds us on the legendary r.v. track bass queen! the sub label of sukhumvit records supports & connects talents from all around the globe. sharing same frequencies is all what it is about. on ncss002 you can find a secret funk track on the b side. be9vinyls.

ghana s dj katapila is back with more minimalist dance music productions, this time inspired in part by his travels overseas. following the success of the re-release of his trotro recording a couple years ago, katapila has been playing in europe and the uk, bringing his style of breakneck-paced, everything-but-the-kitchen-sink west african club music into a very different conte, giving katapila (real name ishmael abbey) inspiration in the kind of music he has heard in places like london. so he made some new music, here we go!

three wareika classics bundled up for one special price! this pack contains visionquest releases vq058 and vq037 plus amphibia amp012.

following the release of their new album marble skies this january, django django will release a new ep focused on the single track surface to air, a track which features for the first time in the bands a guest as the sole vocalist: self esteem, aka rebecca taylor from the uk duo slow club. filtering a jamaican dancehall influence through a widescreen of dreamy psychedelic pop, the track is accompanied on this ep by its instrumental version as well as three remixes from canadian producer lunice, glasgow based dj nightwave and the multi-instrumentalist producer body in the thames.

giorgio gordano and giorgio dolce originally produced kkk back in 1983, and the track was taken into the hearts of the blossoming balearic scene hovering around dj alfredo at amnesia. its as gentle and sweet natured as italo disco can be, and of course it makes perfect sense that best records would dig it out of the archives and give it the shiny new reissue it deserves. the club mix of kkk is a feast of simple, charming programmed melodies and crisp drum machine rhythms with the innocence of the early 80s in its heart. the dub mix and bonus beats on the flip are handy for the technical djs out there, but the club mix is where it s at for the lovers.

repress 2018 ...following the more house & techno focused spring club collection, the visionquest dream team return with the sun-dappled summer >beach collection<, starring maceo plex, tale of us and pillow talk. part ii of the spring summer collection features a fresh selection of summer jams – a three-tiered melting pot of hot talent, dishing out a warm mix of sun drenched house steeped in soul, both dusky and bright, with an 80s disco infusion. this next installment is testament to the ever-changing moods and winds across visionquest sonic footprint. it sounds like the breeze and the heat of a memorable summer romance, soul music for the feet

dj assam is back on lehult with three futuristic club cuts on im still in 2 it, balancing pounding functionality and dystopian atmosphere.
shatterdome, cut deep across the whole first side of this record, is a no-prisoners-taken club workout that comes of surprisingly lightheaded with a pushing low-end and dusky athmo-stabs. lola t70 is a late night car chase on cyber-highway, reminiscing thx-1138 leaving everything behind in the classic george lucas sci-fi film: a state of floating acceleration and melancholy. say hi to everyone is signature.

central to the israeli club scene, deepa & biri have long been defying expectations even within a community they helped construct. serving as resident djs, activists and bookers for tel avivs legendary barzilay club, the pair helped build a transcendent club scene. hugely influential artists such as robert hood, derrick may, rødhad, ben klock and moritz von oswald passed through the club, enjoying legendary crowds and what they could surely sense was a genuine air of anarchy, rebellion and unadulterated rave pleasure. as the duo held down dozens of parties with dozens of djs, there was no ‘eureka moment for their emerging sound, just a steady stream of brilliant, inspiring electronic music, much of which left an indelible imprint on the pair. now based in berlin, for deepa & biri, things are much the same, even if the landscape and the city is different. always rooted in the fertile ground between machines and emotion, on their second full-length lp, ‘dominance, the duo demonstrate their unique grasp of the sensitive, unfolding relationship between man and machine. steadfast in their insistence never to remain in one lane in terms of their sound, ‘dominance flawlessly segues between forcefulness and weightlessness. from beginning to end, this is not a record afraid to show its teeth with an uncompromising, instantly recognisable techno palette that kicks the foundations of any sound system with menace, anger and determination, particularly on tracks such as the dense ‘voltage and pulsing throughout the more industrial flourishes of ‘ecole de nancy and ‘seeking solace.

after his debut on tugboat edits, mystery producer makes the switch to the big time with a follow up on star creature furthering their exploration into the house music genre, not surprising since chicago is their homebase. 4 tracks of raw, grimy house better suited for the loft than the club.

the tireless and titanic dance figure that is dj t. is next up on seth troxler’s essential play it say it label. dj t. has done it all in his long and storied career, from setting up one of the most influential labels in get physical to founding groove magazine via opening the monza club and, of course, serving up always inventive eps and lps on the best labels of the day. his sound has evolved through many house, disco and tech styles and has kept him an in-demand dj for more than 25 years. these new missives are yet more proof that few know how to work the floor as well as dj t. the perfectly menacing keep it close kicks things off with a dark, snaking bassline underpinning freaky synth stabs. the pressure builds throughout and will have the crowd locked in before it pulls back and builds again with a masterful grasp of mood. hitting much harder is the excellent the day it all started, a more physical house track with solid kicks is designed for maximum impact in the club. tumbling bass and gurgling synth riffs flesh this one out and ensure it is a real piece of dynamite. last of all is the retro-tinged 1988, with its tightly programmed drums, slick claps and spraying acid line. its a wild track to get the freaks out of the shadows and on to the ‘floor. this is a fresh ep that offers three very different but equally effective club tracks that are sure to blow up in the coming months

the first release of our new project studio mule is a cover of japanese 80s dance classic carnaval by taeko ohnuki. is studio mule a band? unit? we never have fixed member except kuniyuki takahashi as a track maker. we invite who we love. the first gest is our beloved miyako koda aka dip in the pool. you remember the reissue of on retinae on music from memory. miyako koda is one of the most carisma model in japan in 80s and the vocalist of experimental pop band dip in the pool. dance edit on a side is true to the original. off course more playful than original. extended edit on b side is more club friendly house version.

located in toronto, forth is a collective of individuals who care deeply about music and its community. having started out throwing diy style raves, they soon became inspired by the city’s hunger for self-expression and the need for a local space that could offer artists a platform for their vision.
with this in mind, the crew present their debut release forth vol. 1 a six-track compilation of some of toronto’s finest talent. calling upon friends and colleagues who represent the diverse underground electronic scene, the compilation features club focused material from ciel (peach discs, diswoman), gingy (clone/royal oak, it’s not u it’s me), r (opal tapes, jericho one), kontravoid (cititrax, fliesch), hadi (forth), and joel eel (forth, x-img).

berlin newcomer structive delivers three banging club cuts on outcast oddity, backed by two remixes from labelhead engyn . raw and timeless techno music for the head and the feet. extasy!

after last year s stellar ep on l.i.e.s. records, veteran, brooklyn-based producer and dj jake reif (savage hymn, upsetting keys) continues to make waves with his device control brand. the first side of the new ep2 begins with silhouettes: a robotic, techno-funk work out with a nasty kick drum, swirling modular sounds and a timothy leary inspired vocoded vocal. an instrumental version has been included for selectors who prefer tracks to songs. on the flip, joystuck continues the aural assault with a slightly more stripped-back approach. hard-hitting metallic percussion and screaming, alien-esque synth bleeps are all that s necessary here to decimate a dance-floor. finally, divisive rounds out the ep with a stomping vengeance, its jacking claps and dissonant harmonics have been carefully designed to deliver a sonic gut-punch, taking no prisoners when played on a club system

a pair of naughty as you like sample heavy house music rumblers. rapture inducing grooves for the more discerning floor. these gents have had some big label releases, but the names have been changed to protect the innocent. get involved. vinyl only slab. hand stamped 45rpm loud cut for club play.

redlight returns to uttu after his previous city jams ep on hot haus recs. here he reps dance trax with 2 insane mind bending breakbeat infused klub trax. totally enormous extinct dinosaurs & marquis hawkes both rerun gamma ray in different directions providing the ultimate club package!

special triple pack for all you housepacific lovers out there - contains 3 classic releases:
hp001-6: christian hornbostel pres. deep rules - wait
hp002-6: christian hornbostel feat. beverley t. - joy
hp004-6: christian hornbostel pres. erin perry - we learned to smile

re-release: released in 1993, the technology ep appeared on the start of a re-establishment of electro music and a beginning for the direct beat label. that would be a constant reminder of where to see aux88 material come to light. -technology- carried the aux88 brand onto radio, mainstream club and dance parties...become a sought after 12- by a band that proclaimed its sound as electro/techno . the techno bass mix is the original track, (now for the first time available) rhythm mix is a different animal on its own... within the track you can hear the growth of what would become the sound of emerging aliases in years to come and the use of distinct voices/vocals. with both versions from the original studio recordings in 1993, listeners will be treated to a major bonus point in the birth of the aux quadrant of projects to come. designed for a well-deserved space on the global dance floor.

spinning plates is back for another long overdue release, and this time it comes in the form of a split ep featuring returning artist andy rantzen and laccy with two tracks each. the vinyl only release comes with very special screen-printed silkscreen artwork and is pressed on meaty 180g vinyl for an extra warm and deep sound. andy rantzen is a sydney based artist who appeared on this label s superb second release. the 98% track from it was used by sonja moonear in her cocoon mix cd shared with carl craig, and andy is also well-known as part of the duo itch-e and scratch-e along with paul mac. he assumes that alias here for a remix of the dial. laccy aka pascal sturmer is a young but talented artist who regularly finds himself behind the decks at cult clubs like berlin s club de visionaire and the spaced parties in london. a friend of label a&r bruno schmidt, he just released on francesco del garda s label timeless, is a real underground head with a bottomless well of knowledge when it comes to cult sounds and scenes and is signed to the top crisalida agency.

repitch recordings new release is one of a kind. attesting to the greatness of belgian industrial techno pioneer hypnoskulls album ffwd>burnout, the label has compiled a fresh selection from the 1999 milestone and now pressed it for the first time on vinyl. the aim is to introduce its grinding breakbeats, its blasting hyperbolic groove, and ferocious disturbance to a new generation, championing an undying enthusiasm for heavy and deconstructed club sounds. moreover, the ep comes with an exclusive remix by birmingham master surgeon, whose own militancy in hard-edged techno has contributed to his legendary status, reuniting a different yet somewhat similar vision of dancefloor experimentation. it also includes an updated version of hypnoskulls manifesto, renewing his methods of cultural resistance.

whitelabel, handstamped, vinyl only! further explorations in electro soul badness from purveyor of fine funk, gary gritness! on this limited 12 hand stamped disc, gritness presents four cover versions of some choice club standards, lovingly replayed and rearranged in his own inimitable style.

5 1 1 5 9 3 is the first full-length album release of vienna based artist electric indigo, who started djing in the late 1980s, worked at the legendary hard wax record store in the early 1990s, and effortlessly manages to entertain the dancing crowd at berghain as much as the contemporary music avant-garde at wien modern. 5 1 1 5 9 3 combines influences of both worlds into a consistent and coherent album. crystalline metallic objects collide, embedded into fractured endless spaces, sparse rhythmical syncopations shaping grids, holding sonic particles in place. rare vocal transformations inject a human touch. 5 1 1 5 9 3 offers a unique universe, full of color and light, partially flirting with current club music and at other times diving deep into sublime sonic areas.

sonikku returns to dilemma, putting that signature sonikku touch to some well known, disco diva classics.

belfast-producer space dimension controller, akajack hamill, may be landing his debut release on dekmantel, but hes definitely no stranger to their shores. with the three-track ep gaining time clocking in at over 35-minutes, phasing between cosmic kaleidoscopic house, and serene, epic ambient, a sonic atmosphere reminiscent of the background resonance the galaxy permeates on a daily basis hamills dekmantel debut is closer to that of an album, than your average set of club 12inches.

rolling through to our sub-label, textasy explores the midwest electro axis, with a club ready two tracker of new wave techno bass (featuring dj dijital) and busted sleaze bag jungle.

first release on the brand new la based pleasure of love label digs through rare and classic italo and proto house. born out of a dingy basement club in hollywood, pleasure of love has grown from anything goes disco house party to adventurous re-edit label. reworks reflect the spirit of the party and limited pressing of 300 matches the capacity of the venue that holds it each week. dino soccio on editorial duties for the inaugural 12. will send this over as it comes in. just now sending around to djs. already supported by moon boots and razor n tape s jkriv.

marionette is very proud and happy to announce kilchhofer s debut album the book room. benjamin kilchhofer is not new to the world of recorded music, yet he doesn’t seem to fit into a particular scene or group. as an outsider he is, however, fully immersed and melded into his own universe. he mentally escapes to a parallel world and weaves an alternate reality which would otherwise not exist in his daily life. kilchhofer avoids the spotlight and therefore isn’t really visible in today’s culture of ever changing content and social media. this is where marionette steps in to attempt to shed as much light as possible on this unique and incredibly talented artist. the book room is kilchhofer s musical diary, it s his library of emotions. it s a fairytale, an imaginary place shaped by exotic cultures, an escape from modern society, a collage of real and imagined experiences. you can hear influences abstracted from a wide number of musical approaches: the story-telling nature of folklore music, naive and conflicting rhythms of tribal drums, melodies and pads reminiscent of classical minimalism and microtonal experimental music, the freeform approach of early electronic music and krautrock, and buried deep within the tracks some hints of hedonistic dance and club music.

the project - it s over there - by alexander robotnick was born in rachdingue club... the 8 august 2014... with its famous release house party... celebrate in this hot summer the original track & many remixes by best artists of club like... kira neris … fabrice torricella ... seq9 ... vax1 ... le treizieme projet ... lo ... & more... so in june 2015 with success of volume 1... we release the... volume 2 of remixes with dj im ... degios ... manuel perez ... & balza